Thomas Hart Benton (1889-1975)
The Race (also titled Homeward Bound), 1942
Lithograph. Signed in pencil. Edition: 250.
8 7/8 x 13 1/8 inches. Fath 56.

Mary Cassatt (1845-1926)
Reine and Margot Seated on a Sofa. c. 1902
Drypoint. 17 1/2 x 12 1/4 inches.
Breeskin 177

Chuck Close (b. 1940)
Keith IV, State II, 1975
Lithograph. Signed in pencil. Edition 15.
19 1/2 x 16 1/8 inches.

Ralston Crawford (1906-1978)
Overseas Highway, 1940
Color lithograph
Edition: 25
12 1/2 x 19 1/8 inches
Signed, dated and numbered in pencil.

Jim Dine (b. 1935)
2 Hearts,(The Donut), 1970
Color lithograph, On two sheets of J. Whatman paper
Signed and dated on right panel
Edition: 17
Each sheet: 54 x 32 inches, overall 54 x 64 inches
Williams College 1

Sam Francis (1923-1994)
The Upper Yellow, 1960
Lithograph printed in color. Signed in pencil. Edition 65.
25 x 35 3/4 inches. S.F. 4; L.L. 4.

Helen Frankenthaler (b. 1928)
Vineyard Storm, 1974-76
Woodcut printed in colors.
Signed in pencil. Edition: 4.
32 1/8 x 26 7/8 inches. H. 49; S. 30.

Arshile Gorky (1904-1948)
Mannikin , 1931
Lithograph. Signed in pencil. Edition: 20.
14 3/4 x 11 3/8 inches.

Edward Hopper (1882-1967)
Evening Wind, 1921
Etching. Signed in pencil.
7 x 8 3/8 inches.

Jasper Johns (b. 1930)
The Seasons (Spring, Summer, Fall, Winter), 1987
Portfolio of four intaglio etchings
Signed and dated in pencil.
26 x 19 inches ULAE 238-241.

William H. Johnson
Carrie Smith, 1944
Oil on paperboard.
26 1/2 x 21 inches.

William H. Johnson (1901-1970)
Deep South, c. 1940
Color pochoir.
17 1/2 x 13 15/16 inches.

Martin Lewis (1881-1962)
Relics., 1928
Drypoint. Signed in pencil.
11 7/8 x 9 7/8 inches. M. 74.

John Marin (1872-1953)
Brooklyn Bridge Swaying, 1913
Etching and drypoint on wove paper. Signed in pencil.
10 3/4 x 8 3/4 inches. Zigrosser 112.

Jan Matulka (1890-1972)
Arrangement - New York, c. 1925
Lithograph. Signed in pencil.
13 3/8 x 16 1/2 inches. Flint 32.

Bruce Nauman
Pay Attention, 1973
Lithograph.
Gemini 434

Barnett Newman (1905-1970)
Untitled Etching #2, 1969
Etching and aquatint, printed in black.
ULAE 41

Barnett Newman (1905-1970)
Untitled Etching #1, 1968-69
Etching from one plate
Paper: white wove J.B. Green
22 1/2 x 31 3/4 inches
Edition: 28

Robert Rauschenberg (b. 1925)
Mark, 1964
Lithograph.
Signed in pencil. Edition: 43.
15 3/4 x 16 1/4 inches.

Edward Ruscha (b. 1937)
Mocha Standard , 1969
Screenprint. Signed and dated in pencil.
24 7/8 x 40 inches.
Engberg 30.

John Singer Sargent (1856-1925)
Study of a Young Man (Seated), 1895
Lithograph.

Andy Warhol (1928-1987)
Campbell's Soup I, 1968
Portfolio of ten screenprints on paper.
Edition: 250 plus 26 AP.
35 x 23 inches. Feldman/Schellmann 44-53.

James A. McNeil Whistler
The Balcony, 1879-80
Etching. 11 1/2 x 7 3/4 inches.

William Zorach (1887-1966)
The Island, 1916.
Color linocut with unique inking. Signed in pencil.
6 3/8 x 8 3/4 inches.






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