The Photographic Vision: New York Vistas

September 9 - October 1, 2005


Berenice Abbott (1898-1991) El 2nd and 3rd Avenue Lines: Bowery and Division Street, Manhattan, 1936

Berenice Abbott (1898-1991)
El 2nd and 3rd Avenue Lines: Bowery and Division Street, Manhattan, 1936
Vintage silver gelatin photograph
8 x 10 inches

Berenice Abbott (1898-1991) Chelsea Hotel, 222 West 23rd Street, 1936

Berenice Abbott (1898-1991)
Chelsea Hotel, 222 West 23rd Street, 1936
Vintage silver gelatin photograph
8 x 10 inches
Yochelson MWS 10

Berenice Abbott (1898-1991) Gunsmith. 6 Center Market Place, Manhattan (between Broome and Grand St.), 1937

Berenice Abbott (1898-1991)
Gunsmith. 6 Center Market Place, Manhattan (between Broome and Grand St.), 1937
Vintage silver gelatin photograph
Inscribed on verso: Gunsmith. 6 Center Market Place.: Manhattan: Neg-203 CodeIII1.H.1: 2/4/37
Stamped on verso: "Federal Art Project Changing New York Photographs by Berenice Abbott"
8 x 10 inches, contact print
Yochelson LES 29

Berenice Abbott (1898-1991) Flam and Flam, 165 East 121st Street, 1938

Berenice Abbott (1898-1991)
Flam and Flam, 165 East 121st Street, 1938
Vintage silver gelatin photograph
Inscribed on verso: Flam and Flam, 165 East 121st Street, Manhattan: May 18, 1938: [Neg#] 298 [Code] I.N.H.
Stamped with the artist's name verso
10 x 8 inches contact print
Yochelson N59 14

Berenice Abbott (1898-1991) Murray Hill Hotel, 112 Park Avenue, 1935

Berenice Abbott (1898-1991)
Murray Hill Hotel, 112 Park Avenue, 1935
Vintage silver gelatin photograph
Inscribed on verso: "Murray Hill Hotel, 112 Park Ave, Manhattan: Neg # 41, Code #IA1: Taken Nov. 19, 1935."
Stamped with the artist's name verso
10 x 8 inches contact print
Yochelson MES 15

Fred Zinnemann Brooklyn Bridge #6, 1931

Fred Zinnemann
Brooklyn Bridge #6, 1931
Vintage gelatin silver print
7 3/4 X 13 1/2 inches
Signed and dated in pencil on print recto; photographer's name, address, title, and notations in pencil on print verso

Edward Steichen George Washington Bridge, 1931

Edward Steichen
George Washington Bridge, 1931
Vintage toned gelatin silver print
10 X 8 inches
Mounted; title in ink, date in pencil, and photographer's copyright stamp on mount verso.

John Taylor Arms (1887-1953) Gates of the City, 1922

John Taylor Arms (1887-1953)
Gates of the City, 1922
Etching and aquatint
8 1/2 x 7 7/8 inches
Edition of 75
Signed and dated in pencil
F. 126

John Taylor Arms (1887-1953) Gates of the City, 1922

John Taylor Arms (1887-1953)
Gates of the City, 1922
Etching
8 1/2 x 7 7/8 inches
Edition of 25
Signed and dated in pencil
F. 126

Howard Norton Cook (1901-1980) Skycraper, 1928

Howard Norton Cook (1901-1980)
Skycraper, 1928
Woodcut
Edition of 50 (40 printed)
18 x 8 5/8 inches
Signed in pencil
D. 96

Howard Norton Cook (1901-1980)  Chrysler Building, 1930

Howard Norton Cook (1901-1980)
Chrysler Building, 1930
Wood engraving
Edition 75 (50 printed)
10 1/8 x 6 11/16 inches
Signed in pencil
Duffy 141

Fred Zinnemann Chrysler Building with Elevated , 1932

Fred Zinnemann
Chrysler Building with Elevated , 1932
Vintage gelatin silver print
9 X 5 1/8 inches
Mounted. Signed and dated in pencil on mount recto

Edward Steichen Empire State, 1932

Edward Steichen
Empire State, 1932
Vintage gelatin silver print
14 X 11 inches
Title, date and annotations in pencil on print verso. Provenance: Collection of Joanna Steichen.

Samuel L. Margolies (1898-1974) Man's Canyons, 1936

Samuel L. Margolies (1898-1974)
Man's Canyons, 1936
Etching and aquatint
12 x 9 inches
Signed in pencil.

Louis Lozowick New York, c. 1925

Louis Lozowick
New York, c. 1925
Lithograph
Edition: c. 15
11 7/16 x 9 inches
Signed in pencil
Flint 6

Howard Norton Cook (1901-1980) Times Square Sector, 1930

Howard Norton Cook (1901-1980)
Times Square Sector, 1930
Etching
Edition: 75 (35 printed)
12 x 9 15/16 inches
Signed in pencil
D. 146

Charles Sheeler (1883-1965) Delmonico Building, 1926

Charles Sheeler (1883-1965)
Delmonico Building, 1926
Lithograph.
9 3/4 x 6 11/16 inches
Edition: c. 50
Signed and titled in pencil.

Martin Lewis (1881-1962) Quarter of Nine, Saturday's Children, 1929

Martin Lewis (1881-1962)
Quarter of Nine, Saturday's Children, 1929
Drypoint printed in brownish-black ink on cream wove paper
9 7/8 x 12 7/8 inches
Edition of 107
Signed and inscribed "imp." in pencil, lower margin
McCarron 78

Martin Lewis (1881-1962) Break in the Thunderstorm, 1930

Martin Lewis (1881-1962)
Break in the Thunderstorm, 1930
Drypoint
Edition of 66
Signed in pencil
12 3/8 x 9 7/8 inches

Martin Lewis (1881-1962) Spring Night Greenwich Village, 1930

Martin Lewis (1881-1962)
Spring Night Greenwich Village, 1930
Drypoint and sand ground
Signed in pencil.
McCarron 85

Martin Lewis (1881-1962) Late Traveler, 1949

Martin Lewis (1881-1962)
Late Traveler, 1949
Drypoint
Signed in pencil.
Edition of 12
9 7/8 x 11 7/8 inches
McCarron 143.

Martin Lewis (1881-1962) Relics, 1928

Martin Lewis (1881-1962)
Relics, 1928
Drypoint
Edition: 110
11 7/8 x 9 7/8 inches
McCarron 74

Edward Hopper (1882-1967) The Lonely House, 1923

Edward Hopper (1882-1967)
The Lonely House, 1923
Etching
8 x 10 inches
Signed in pencil
Levin 102

Joseph Pennell The Bay, New York, 1922

Joseph Pennell
The Bay, New York, 1922
Aquatint
Edition c. 60
Signed, titled and inscribed "imp" in pencil

Joseph Pennell Towers at Night, 1922

Joseph Pennell
Towers at Night, 1922
Aquatint
Edition c. 40
Signed, titled and inscribed "imp" in pencil

Joseph Pennell From Cortlandt Street Ferry, 1908

Joseph Pennell
From Cortlandt Street Ferry, 1908
Sandpaper Mezzotint
Printed on Antique Paper with stamp seal: "Timbre Royal 75 cents"
Image: 12 7/8 x 9 7/8 inches
Edition: c. 50
Signed in pencil, inscribed 'imp'
Wuerth 502

Joseph Pennell Sunset from the Williamsburg Bridge, 1915

Joseph Pennell
Sunset from the Williamsburg Bridge, 1915
Monoprint and etching
Aside from edition of 100
Image: 8 1/4 x 10 7/8 inches
Printed on red-ledger-lined paper
Signed in pencil, inscribed 'imp'

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